vinyl reissue of os mutantes live album from 1976, their last recording until the 2006 reunion. an excellent progressive rock record with the legendary brazilian bands trademark quality and the line-up oforiginal member sergio dias, paulo de castro, rui motta and luciano alves on top form.presented in facsimile artwork and pressed on 180g vinyl.

mattes schwarz started djing in 1982 at age twelve, inspired by, as many west-german kids, the gi-djs of the roller skating rinks around us army bases. while he got heavily involved in cologne’s bmx scene of the 90s, he never really stopped, and during the main years of being known as stecken-mattes and playing there each friday night, he coincidently lived in magazine record’s homebase, north- eastern cologne’s old harbour. one day after stecken’s closure had sent restructuring ripples through the city - i imagine him getting up in the morning and taking a deep breath - he decided to send magazine a few tracks. “i don’t know” is mattes schwarz’ first release.

moondance records present their second release with uk’s talented john heckle. john delivers brand new 3 track ep for croatian imprint. albums, numerous eps, singles and remixes for labels as mathematics, m>o>s, tabernacle, crime organization, lunar disko and so much delivers warm analog but yet powerful and raw techno ep with his in your face tr707 drums, lush juno pads, mean and distorted bass own sound signature to brand new record label of croatia’s finest, moondance festival where jon played his live pa, august 2016. after his (qwartz electronic music award) “life of titan lp”, john heckle became one of most wanted techno and house artists of the moment.

the make mistakes gang returns with their second record in the form of remixes of roy england s techno rocker, photon. what you get here is a package of dance floor cuts showcasing the varied styles, and tastes of the crew, making this a versatile record that s gonna find a way to fit in where ever it s needed. on the a side we have a taste of attentat s signature sound: hypnotic, driving minimal techno. a slowly evolving meditation, this stripped down, pulsing jam will ignite the late night dance floor. an irrepressible tinkerer, roy england took the original, funked it up, worked it out, and streamlined it for peak time. in his remix, roy crafted a consummate party jam, steady, pumping, and full of life. with his remix, time for trees takes you on a psychedelic, housey frolic through the woods. what we have here is a slow building, mind-bending groove, wrapped up in cascading waterfalls of sound. the make mistakes label has built a diverse sound around a cohesive aesthetic. with the photon remixes, they continue that tradition, with style and depth, fine-tuned for dance floor lovers.

last summer dan ghenacia was digging through his own record collection when he found a rare gem, a priceless italian jewel. back in the 90s when he first picked up the ep, dan was spinning the b-side, with no vocal. back to present time, and after a few weeks of pondering, dan decided to give the vocal version a spin... the track quickly became a total bomb in fact, sending kids crazy both in the clubs and online, where nobody has been able to identify it. intrigue has surrounded the track over the past year, with a ceaseless hunt for the mysterious old gem proving fruitless...apollonia are proud to finally unveil this old school killer with an exclusive repress of body beat originally released by laser on pin up records in 1993. this early nineties organ-led masterpiece is uplifting and groovy, with heavy beats powering the track along, illuminating dance floors around the world every time dan has played it. on the a-side we have body beat , the vocal version that has been doing so much damage, while on the flip is body under , which is more of an eyes-down, moody roller

after his banging ep 1 on aus, tee mangos back for the 5th installment in his tribute project, inspired by the much referenced theo parrish quote: love of the music should be the driving force of any producer, performer or dj. everything else stems from that core, that love. with that love, sampling can become a tribute, an expansion on ideas long forgotten, reconstruction, collage. time is now time is now comes off like adamski era seal rerub for the small hours. replete with hypnotic looped piano and drums sounding like they were lifted from vaughan mason s raze house archive. simply sweet sweet electronic music. make it last forever the b side is tee mango on home turf, with a selection of choice samples under his cap (from a record you might recognise), some simple loose sampled drums and a smattering of dub delay. love for this series coming from: axel boman, benji b, artwork, fred p, and a heap of others. these tribute releases sell out pretty quick, my hunch is that these will not hang about.

during the mid-80s and early 90s movin’ records defined the new jersey sound. a skate-shop-turned-record-store run by the so-called fairy godmother of house abigail adams, movins first output was ive got the music by boyd jarvis in 1987, followed by music from game changers blaze, kerri chandler, tony humphries and smack, straight up “jersey jams” that producers are still attempting to replicate to this day. still the movin’ records catalogue throws up gems that sound super fresh along with plenty of lightbulb moments of musical discovery. after becoming a surprise hit from the b-side of kamar’s ‘in every way’, movin’ records presents this remix single to give dancefloors a serious shake-up. kerri produces some heavyweight remixes of this single, along with regular collaborator yahya mcdougald. as with all of kerri’s early productions, this sits proud alongside his latest, more mature output thanks to his naturally instinctive style. the single features vocals from calvin reed sr., kerri chandlers actual grampa!

when octo octa sent us the demos for her first full-length record since 2013, we were floored by how many tracks were single worthy. but, there was one that stood out as something entirely on its own, a song that in many ways sounded like nothing maya had ever released. since the beginning, we always knew we wanted to do something special with adrift, the 8+ minute space-age synth-dub techno tune. when we asked maya about doing a 12inch with remixes we were blindsided to learn she has never had any of her music remixed before. with some remixers in mind, she asked two of her favorites and they said yes. so, here we are to present hny-016 octo octa adrift, remixed by avalon emerson and dorisburg.

vocalist and mult- instrumentalist family thebroomfield s might be new to you but deepfunk heads know the deal. the six broomfield siblings (vocalist, diane and her 5 brothers) released some of the best rare groove 12s and 45s in the 1980s (although this 45 was recorded in 1979) as well as recording with betty wright, kc and the sunshine band, timmy thomas, little beaver, julio iglesias, michael sterling and many, many more. championed by keb darge and others on the deepfunk scene in the early 2000s, this record has remained agonisingly elusive, despite being very popular as both sides are brilliant. so, with the help of symphonical records we got in touch with aaron and made this happen, look out for aaron s 45 dropping soon as well.

the latest dig from best record italy s eternal mission to release the finest roman musical manna features noted jazz man pino presti taking on manu dibango s eternal party jam soul makossa. presti s interpretation uses oodles of gleaming 80s synths in place of the original traditional instrumentation, but fear not as the iconic brass section remains a real-world force, and sounds mighty fresh with it. following up that cover is a sumptuous version of aint no sunshine which is aimed square at the heartstrings of the most balearic cruisers. i call your name / come back to me gets even smoother, the vocals capturing mediterranean getaway romance to perfection

we re humbled to offer a first ever vinyl edition of spellwauerynsherde, arguably one of the 21st century’s most enigmatic and haunting albums, presaging contemporary obsessions with processed vocals in a deeply uncanny manner, enduring to resonate with up-to-the-moment music from kara-lis coverdale to visionist or john t. gast as much as the record s distant roots in the seminal works of 12th century german mystic and composer hildegard von bingen, and the writings of john milton, among others. it s quite honestly one of the most beautiful albums we’ve come across since we opened our doors back in 1998.

the shop record mart, one of latin new yorks most important historic musical landmarks, served as the home base for montuno records, a small but important independent label started by proprietor jesse moskowitz in the 1970s.
this collection samples the recordings from montunos catalogue that exemplify danceable afro-antillean music, from nuyorican salsa to haitian compas, latin jazz to traditional cuban genres as well as several interesting hybrids incorporating funk, doo wop and brazilian sounds.
ncludes tracks by key artists such as airto moreira, manny oquendo y libre, son de la loma, totico y sus rumberos, lou pérez.
comprehensive liner notes by pablo yglesias aka dj bongohead, including an in-depth interview with jesse moskowitz, plus original lp artwork and many unseen pictures.

after making his debut as part of duo klubbhuset on lets play house, artur brandstrom initiates his solo run under the alias ari bald. the moonshiner ep is a disco house record in full, with heavy sampling beefed up by club-ready drums laced with 909s

live ones returns with lorca after a six-year hiatus. having released his debut record live001 ~ moments ~ we ve teamed up again to relaunch as a home for the edits, refixes and sample heavy music produced by friends and family that we love so much. after a brief break from production duties, lorca moves away from the eclectic, melodic style he s been known for and returns with a new sound and aesthetic. the tribute to eddie ep firmly nods at detroit, new york and chicago house styles and is dotted with a wide array of influences and soulful sampling throughout. having previously released eps and singles with naked naked, dummy records, 2020 and the like, lorca s ear for melody has earned him fans from across the board with his music being supported by a diverse array of dj s from ben ufo to bonobo to pete tong. we re proud to be back releasing this diverse producer s musi

one of the most exuberantly inventive and acclaimed bands around today, hot chip have built a devoted fanbase with their soulfully eclectic records and incendiary live shows. hotly anticipated by fans and media alike (and among spins >upcoming records that matter the most< and stereogums >most anticipated albums of 2010<, one life stand is the bands most boldly accomplished record yet, at once offbeat and anthemic, cerebral and danceable!

the real thing (1989) turned out to be faith no mores most aptly named record as it presents the bands most revered line-up. mike patton on vocals proved a massive improvement on their previous singer. added at the last moment to complement a set of strong, funky songs, he joined roddy bottum on keys, jim martin on guitars, bassist bill gould and mike bordin on drums. the hit single epic proved to be just that, and is one of the most recognizable faith no more songs in their repertoire

schwefelgelb return to fleisch with den umgekehrten atem. this 4 track document offers sid and eddy s latest gems in the pursuit of the perfect beat. propulsive and heady, den umgekehrten atem renders the glass and dust of early digital and wavetable synthesis with narcotic definition. fragments of rgb split conga and drone swarm around this body hybrid of techno and ebm, created with the sole purpose of stirring neural cocktails in the minds of listeners from detroit to berlin. currently one of the best live electronic acts on the planet, extensive touring across the globe in support of an unfaltering stream of releases has made 2017 an incredible time for schwefelgelb so far. with a record of such energy and clarity of vision as this, it doesn t seem like stopping any time soon. / incl mp3 code

yeah, blah blah. lorem ipsum rainbow banana bullshit tacos. aren’t those release descriptions really senseless and stupid? as if anyone cared about a text explaining music. it’s like posting selfies or continuously crying about the good old days. but you know what, while writing this - i’m sitting here on a wooden chair at my favorite pizza spot. the sun is shining and i’m eating these damn delicious pizza margherita slices. i might get some tiramisu afterwards. i don’t know. dessert first some might say. but i’m more a dessert after kind of guy. anyway, tiramisu is always a good choice.
ps: i guess now you still don’t know anything about the record, but reading a lame description wouldn’t help either.

the mexico city-based outpost lands its third release, sueÑ003 – a three track package assembled by cintas de cárdenas. continuing in the same, youthful vein as previous releases on the label, 003 follows up with more cuts from the left field all themed around cultural self-reflection.
a binding of high-spirited melodies with entrancing pads oscillate throughout a1 and a2, while the record’s flip-side provides a bleak dream of echoing organ phrases and violent drum arrangements .

whyte numbers follows through with an excoursion to georgia, where we found the mysterious will gates. on his debut ep, dedicated to his hometown tbilisi, you ll find 4 original cuts with no frills, plus a mellow acidic vibe workout by our man lootbeg. the record is sure to grab any listeners ear with mellow house featuring a host of fresh jazz and hip hop influences. adding to a beautiful use of vocal loops, he brings forth a refreshing piece of wax that creates another home run for both label and artist.

london-based dj & producer dimension returns to the limelight this year with his highly-anticipated new single, ‘generator’. premiered via bbc r1 on friday by danny howard, theatmospheric and energetic cut follows on from one of 2016’s biggest underground d&b anthems, ‘uk’, in what has been dubbed his “strongest year to date” by annie mac. the rise of dimension has been nothing short of remarkable. with multiple best-selling and seminal anthems including ‘whip slap’, plus numerous remixes under his belt for the likes of chase & status, duke dumont, nero, emile sande and deadmau5, 2016 became a real turning point for the producer as it saw two of his singles, ‘automatik’ and ‘uk,’ crowned ‘hottest record in the world’ with annie mac on bbc radio 1. a thrilling and enigmatic producer who likes to let his music do the talking, dimension’s commitment to the sounds of the underground whilst still receiving mainstream success provides further impetus to deem him one of the most exciting artists of 2017. this year will see him undertake his biggest tour to date in australia and new zealand, return to amnesia for another season as a resident dj at together and hit the summer circuit once again at festivals including sw4, tomorrowland, snowbombing, sziget and creamfields.

kenk! is a story of a blossoming romance, like when decontextualised acid met with relentless tension and they hopped into a hypercube. here, carlo maria uses a pointilistic diablerie to extract a loud mixture of droney melancholy and rhythmic euphoria. after releasing a blissful record with caterina barbieri on &#931,,, (as punctum), carlo chooses the path of reduction and force. kenk! lays hold of you and makes you move&#9889,,, somewhere. quickly, but with no intended direction. yes, it’s made for the dancefloors - you just have to trust us on this one.

ltd hand-numbered ltd ed of 230 copies

keope is the musical brainchild of toni bruna and marcus rossknecht. with the aim to record an album they ve met in an abandoned quarry on the slovenian border. the outcome tropicalni seems to exist in a vacuum. stylistically, all tracks here owe something to multiple genres and reference points - from folk, balearic, psychedelic and electronica, but none really fit well. synths drift in breezily, floating around the wistful melodies, acoustic guitars sparkle, while flutes & the beats hint at a deeper connection to dance rituals.
limited 12 inch vinyl edition of 250 only coming in a handmade and numbered artwork. each record is highly unique as it goes through an artisan process of hand-printing, folding, glueing and numbering which highlights the aim for creating unique and long-lasting pieces of art.

dj, record label impresario and former swedish champion b-boy, mad mats knows a thing or two about finding good music. as well as iconic underground imprints raw fusion and gamm, mad mats is a partner in the highly regarded local talk label, making it highly probable that most of the world’s influential djs have at least one of his discoveries in their record bags.
for his first compilation on bbe, mats has put together a diverse selection of cuts, from reggae, hip hop and soul to boogie, electronica and house, reflecting his open-minded approach to djing.

after a rollercoaster twenty-five year career as an artist, curator and tastemaker, james lavelle returns with unkle’s fifth studio album: the road part 1.
the road part 1 is a collection of fifteen new unkle tracks inspired following his curation of 2014’s meltdown festival at southbank, their most successful to date.
the road part 1 is a collective creative venture by musicians including london folk-rock artist and poet keaton henson, primal scream’s andrew innes, the duke spirit’s liela moss, long time unkle collaborator mark lanegan, and mercury prize nominee eska.
lavelle also found new friends and collaborators in queens of the stone age drummer jon theodore and beck drummer justin stanley, who make definitive contributions throughout the record.
recorded in london and los angeles’ pink duck studios, the road part 1 is the product of a desire to create something fresh and innovative, that also celebrates the rich history of unkle, and showcases a new wave of talent such as elliott power, mïnk and yseÉ.
double 180 gram black vinyl, housed in a gatefold sleeve.

pittsburghs most loved sons, the modey lemon, rip through 3 years of silence with their new record, season of sweets. with one foot in the sci fi darkness of their last record curious city, one foot in their past garage angst ridden wreckage and one foot in the kautrock brilliance of the german frontier (what, three feet?) season of sweets is a fuzzed out, driving masterpiece with catchy hooks beaten to death by guitar / synth mayhem and the anchor of paul quattrones drums of passion. as primitive as it is futuristic, modey lemon is recreating the present, molecule by molecule, every second of every breath. the trio from pittsburgh returns with another helping of sugary sweetness that rots your teeth and leaves you wanting more. recorded during the dead of winter in pittsburgh, pa at the brass factory. mixed and recorded by jason kirker, member and principal noisemaker. the last 2 years have been very, very interesting for the band. after signing with mute recording in the uk and playing the granddaddy of all venues, the fillmore opening for dinosaur jr., the band took some time away to regroup and work on new material. the result is season of sweets. driven by drummer extraordinaire paul quattrone, the songs twist and turn through the imagery and dark rock that has made modey lemon famous. jason kirker (engineer and band member) uses various keyboards, moogs and instruments to make the sound more full. at the heart of this album is the energy and mysticism singer phil boyd leads you on. track number 5, become a monk is the more pop oriented and accessible track, with a great back beat and bass.

zum 40-jährigen jubiläum wird ein klassiker des dub-reggae-genres vom masteringexperten kevin metcalfe re-mastered und auf dem vp records sublabel 17 north parade wiederveröffentlicht. im original erschien der longplayer erstmalig 1977 auf dem joe gibbs record globe label und wurde mit der joe gibbs studioband, the professionals, eingespielt - laut originalcover waren das george -fully- fulwood, carlton -santa- davis, tony chin, richard -dirty harry- hall, tommy mccook, bobby ellis und leroy -horsemouth- wallace. am mischpult saß errol thompson. hier finden sich exzellente dubversionen von riddims aus der rocksteady-Ära 1966 bis 1969 inklusive -hypocrites- von bob marley & the wailers in die neuzeit katapultiert, sowie die dubs zu den großen reggae-hits der zeit wie -uptown top ranking- von althea & donna.

sunlightsquare keeps on exploring multiple style of house music this summer. the previous single from the last month -oyelo- was a winning combination of authentic latin cuban music and classic 909 house beats. it was championed by ron trent, osunlade, hunee, bradley zero, nick the record and atjazz to name a few. this time, the main man and keyboard wizard claudio passavanti deployed two remixers for deeper and more spiritual endeavour to showcase his magical composition. hailing from the birth place of south african house music pretoria, the talented young producer blaqtone laid out beautiful sunset pad, earthy african percussions and solid rolling beats, all work like magic with claudio s original spiritual keyboard works. on the flip side, kay suzuki pulled off another dubbed out psychedelic mix with -astro dub-, just like the previous release, and the more dance-floor oriented classic deep house style of -moon mix- influenced by the likes of larry heard. the track features sequenced mini-moog bass line and call & response drum programming before blissful harmonies and melodies kick in.

after the huge success of their first collaboration, doorly and el prevost are back for part two: this time the world touring doorly serves up a hot original that gets remixed by red rack‘em and el prevost, while el prevost also serves up an original of his own, all on his own no speakers label. the first ep, featuring a lee foss remix, got support form the likes of paco osuna, solomun and groove armada and this second instalment is set to be just as big this summer. doorly is a dance heavyweight who headlines clubs like space ibiza on his global travels, releases on cajual, hot creations and dirtybird and is no stranger to hitting high places in the charts with his big and infectious sounds. as a dj he is energetic and can make a mark on any dance floor, and so will this new tune, ’sonder.’ it is six superbly deep and atmospheric minutes of warm, rolling drums and searching synths that bring an intergalactic feel next to twinkling keys. jostling percussion brings a little loose funk and the whole thing is sure to lock in dance floors. el prevost then steps up to remix after 15 years of putting out killer cuts on labels like third ear. his music has made its way into the record bags of tastemakers like steve bug, dj hell and steffi and this excellent remix shows off his singular style again. it is a little tougher and more energetic than the original, with sprinkled hits, rumbling bass and pixelated synth lines dancing about up top. then comes red rack‘em, the bergerac boss who had a huge hit with ‘wonky disco bassline banger’ last year. it was one of the tracks of the year and has been followed by an equally brilliant album by this esteemed house veteran. his remix here is big, bouncy and off kilter thanks to its coarse hi hats and punchy rubber drums. great vocal treatment adds more wonkiness and broad synth strokes flesh things out into another sure-fire party starter that sounds like little else. last but not least, el prevost offers up a solitary state mix of his own ‘temper mental’. it’s a hugely inventive track with great synth modulations burrowing deep into your brain as dancing hi hats and whirring bass encourage you to cut loose and shift freaky shapes. this is a strong ep that really packs a punch across four standout tracks.

played by marcel vogel / it s been a while since we heard any new material from rick poppa howard, the father of prodigious house talent tevo howard. the soul and raw, off-kilter production style runs in the family, and -keep holdin on- demonstrates this perfectly with its immediate warmth and unfussy arrangement. -gimme that love- is the real gem on this record though, toying with a rubbery bassline and a touch more atmospheric detail that makes howards voice shine. that said, if you do require an instrumental version for any reason, the alternative cut stands proud on its own. for our money though, we d say howard s vocals are what makes this record special.

after his memorable ‘wolves’ ep of last year (which garnered great support and earned record of the week on b.traits bbc radio 1 show) florian busse returns to connected for his new release ‘heus’ ep on vinyl and digital,retaining and developing his idiosyncratic sound sculpting, florian has delivered another unique take for the dancefloor.

debutant trujillo, previously worldwide known as mangelt lands on lowwaxx. the main (a) side of the record by trujillo, is a solid balance of organic textures embraced with synths and modular basses. elegant waveforms rolled with mystic atmospheres. the other side of the record (b) shows up a galaxy settled of raw drums scattered by glitchy percs. melted with analog basslines result from the union of two alchemists of the mental dancefloor. trujillo & lowwaxx, hatch the perfect potion ever since they team up.

70% deal , last copies left.... sascha braemer s first record on dirtybird was a very big success gathering support from a wide array of djs. as our very first german artist, we were very happy when he sent over this super hot follow-up ep. true to dirtybird style both tracks on the ep are thematic, but these also show some restraint, not getting too silly or gimmicky with the themes. grounded in heavy funk kick drum grooves, sascha has delivered another set of bombs for sure. the train grows from a simple solid groove to a massive whistling peak, then back to the deep rooted funk. fly flip is a play on bug sounds, bringing a more laid back vibe to the table. both of the tracks are the kind of thing that could be played in any set from techno to deep house which really says a lot for the universal appeal of sascha s solid beats. we hope you enjoy them as much as we do.

professional dj bag carrying 75 of 12inch records. two equal subdivisions when opened. extra strong bel, cruchioned ground for easy record selecting. for a good party we recommend to carry 130 of you 12 inchen safely in two of there functional >> chateaux <<

chateau vinyl offeres a perfectly protected, shock absorbing and cushioned space for 75 x 12inches. two equal subdivisions that can be divided to both sides. this unique feature makes record selecting more comfortable in different club situations. each chateau vinyl bag contains the flight cover, an easy, lightweight and highly sustainable solution to protect and extend the life of your chateau vinyl. advise to all the flying djs: don t check-in without! the puristic chateau vinyl solo version comes without the side pouch and docking station. less is more - if it s enough for your needs. - 2-way zipper - adjustable 50mm shoulderstrap - comfortable, cushioned shoulder pads - easy to clean, cushioned record cases - material: certified cordura nylon - made in germany - dimension: 35 x 34 x 24 cm

available now soul jazz records’ record store exclusive limited-edition soul 7” box set comprising five heavyweight 70s afro-funk, afro-disco & afro-rock seven-inch singles all with unique bespoke label artwork and all digitally re-mastered. seriously rare, killer and classic nigerian 70s afro-funk, afro-disco & afro-rock tunes bought together here in this unique one-off record store day box-set edition. this unique box-set edition is only available as a one-off pressing especially for record store day 2017.

plenilunio is a resume of the mystic jungle tribeÆs influences, past a d present musical journeys. this record is a statement more than a selection of tracks, it tells where mystic jungle and his tribe are coming from and where they re heading with their compositions, weather it is oriental flavored jazz-funk or no wave acid disco and all in between the aesthetic always remains loyal to the principle.

after the creation of computer disco lp (1982), marcello giombini produces the year after i adore commodore - computer music flash, which was mainly made with a commodore 64. giombini was a veteran of music applications with personal computer, started with an apple ii europlus and then converted to the commodore 64 thanks to the presence of 3 independent music generators that allowed him to make more elaborate music easier. the record was inspired by the videogames of the time, so that the titles of the 10 tracks are inspired by the names of famous games. the music was created using four to eleven commodore 64 programmed and synchronized with an external audio interface. at the time, giombini, in his studio in a basement just a few steps from nomentana, rome, had organized a small school with courses of basic and computer music. the graphic is the same of original lp with inner-sleeve dedicated to commodore 64.

ltd repress !! sloboda reissue of this rare gem from the heydays of adelaide techno. originally released as a one-sided vinyl in 1999, the record fell into obscurity largely due to a great number of damaged copies being discarded. recovered from the original dat recording, outer rim has been carefully re-mastered and cut inside-out with reference to the original pressing.

lf rmx is a new series, exclusively featuring edits and remixes originally made by len faki for use in his own dj sets. now releasing them to a wider audience, the second edition presents two complementary contrasting versions of deep in by stephen brown. sticking to the strengths of the source material, faki s sleek polish makes the centerpiece acid bassline and playful cut-up vocal stand out from the mix even more. already quite a force to begin with, the momentum only keeps growing as oldschool drum breaks and additional percussion roll in. the original s linear progression is traded for murky, modulating analog squelches on the deepspace mix, turning the tune into a dubby late-night groover, which still holds some surpises in store. as with all releases of the non-profit platform that is lf rmx, the proceeds of this record will be forwarded to the berlin organization straßenkinder e.v. to be used in actions against child poverty.

we are officially under exclusive rights reissuing a very special privetly pressed 45, -silver satin- by axis. originally released back in 1984, axis was a short-lived band formed in california by guitar player/vocalist byron bordeaux. back in 80s, record was never officially distributed, with only a couple of hundred 45s made, and sold exclusively at their shows. byron recorded a good deal of demo tracks, which for the next 30 years would go unreleased, all stuck on a pile of 8-track and cassette tapes. you can find one of these tracks on the flipside of this 7- - -runaway love- was completely recorded and performed by byron circa 1986. following the band s dissolution, byron continued performing, eventually ending up playing alongside the likes of bobby womack, buddy miles and the gap band. fast forward three decades later, -silver satin- is a sought after record on the collectors market that when found, goes for triple figures on ebay, discogs and the like. heavy support from jeremy underground as played live at dimensions 2016.

thelma houstons unreleased soulful aor tracks from 1980
after thelma ended her contract with motown, she went to work with terry woodford to record a set of tracks for her next album. unfortunately it didn t happened and the tracks was shelved for 36 years. until now. smooth breezy soulful aor with the wishbone inc signature sound, (byrne and barnes, robert byrnem mac mcanally and others) remastered and released on vinyl for the first time.
coverart by yoko honda
limited to 500 worldwide

originally released in 1990 the sun & moon mix of ,walk on air, has taken on near mythical status as a benchmark record that brought together strands of ambient, deep house, techno and trance. the b side sees the original amphibious carbine mix joined by two previously unreleased dubs unearthed from the original dat tapes.

good news! music lovers, soul searchers, and record diggers! los charly s orchestra are back!!! this time celebrating their 10th anniversary and featuring the tropical soul legend: omar, for their latest extravaganza of caribbean infused disco/boogie. lco has left an important landmark on the global soulful disco - jazz funk landscape since the very beginning, and their tireless production machine still continues today to deliver some of the most epic groovers, such as: -all around the world, everlasting love & sunshine-, in between many others. juan laya & jorge montiel (the two men behind this project), continue on their endless effort for producing enduring music by delivering their latest ep which contains an lco s re-make treatment of omar s classic: -it s so- plus a brand new boogie-reggaeish fusion track entitled: -history-, both tracks with their correspondent instrumentals for the delight of the vinyl junkie, and groove music aficionado.

man of the moment corey baker, better known as pattern drama, is slated to release a 12 inch record on boston-based cenote records later this year. the wait for me ep feautres the namesake track backed by vocals from the incorrigible aquarius heaven and hezza fezza, and a second original track, a collaboration with the duo of johnny cruz and silky, aka dis-cern. sitting on the flip is a monstrous remix from francesca lombardo (crosstown rebels)

this is the first release of inversions, a label run by milo smee and thomas franklin. it s an offshoot of milo s power vacuum label. this first record is a various artists ep indicating the intended direction and scope of the label, featuring tracks from cavern of anti-matter, booze, fupper, clean & jerk and apotheose de la trahison. the record, and record label in connection with the first release, was featured in articles in dummy, thump, and ransom note blogs/magazines. the record received positive reviews by resident advisor, terminal 313, kiltr and beach sloth. milo and thomas were invited to play a guest mix on the baba yaga s hut podcast on london s resonance fm. tracks also played on audio texture radio show, independent music podcast and the zone.

tutti hill’s ‘when the going gets rough’ was listed on the label of her arock single in 1964 but the record actually played ‘whoa whoa, baby take it slow’. at last this gorgeous mid-tempo dancer from ron miller and lee porter makes it to 45. the flip is a piano and voice demo from the same stable but garrett saunders’ magnificent baritone makes the song a must-have. what a pity he did not record more.

2017 reissue , the debut release by austin, tx, artist disco nihilist combines acid and deep house to create a timeless ep. influenced heavily by old school chicago house and new yorks great nu groove records, all four tracks were made with simple hardware and recorded to cassette tape giving this record a physical presence that computer-produced tunes cant touch. despite the limited production tools, each track has its own distinctive flavor: pumping chords, looped bleeps, dub echoes, and jacking beats make for a diverse yet coherent sound throughout the ep. love what you feel is a new label from thomas cox (aka pipecock on various internet dance music forums), owner of the infinitestatemachine blog. the pressing process of this record has been documented step by step on infinitestatemachine, reaching a worldwide audience of thousands of deep dance music fans every week. readers from every continent are already anticipating this eps release